6777/Shh. Be Vewy, Vewy Quiet...

Shh. Be Vewy, Vewy Quiet...
Date of Scene:	03 July 2021
Location:	New Lots
Synopsis:	No description
Cast of Characters:	Frederick Foswell, Peter Parker, Quiet

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Frederick Foswell has posed:
Los Monteros was one of the oldest street gangs in NYC. Their history spans all the way back to the 1950s, more specifically, in the Bronx. The gang was founded by the notorious Montero Dynasty, who immigrated to this country from Cuba, and quickly got into the organized crime game. Los Monteros now had quite the grip on The Bronx, jealously holding on to their turf with ruthless violence. Recently however, the gang had made moves in Brooklynn and seized a big portion of New Lots from it's former gang. Rumors in the Underworld spoke of Papa Montero receiving aid in this conquest from a mysterious figure only known the Underworld as "The Big Man", who supplied Montero with the logistics he needed to win a gang war, in exchange for Papa's loyalty.

Tonight Los Monteros were about to ply one of their most lucrative trades, Arms Dealing. Word on the street stated that Los Monteros were about to meet with a group of European heisters in New Lots to sell them weaponry for a future heist. This deal was supposed to go down tonight underneath the mural of Papa Montero. The mural was a gigantic piece of graffiti drawn on the side of a apartment building. The piece was a highly-detailed profile of Papa Montero himself, smiling while wearing a white suit, his old, but handsome features being accompanied by pearly white teeth. Underneath this boost of ego was supposed to be a deal that could end in disaster for NYC if it wasn't stopped.

Peter Parker has posed:
Los Monteros had been in the Spider-Comm database, but it had largely been there for historical data and tracking purposes, but the news about the arms deal was surprising. They were movers and shakers, and he had had run-ins with some of the gang, but he knew he had to put in an appearance tonight.

The Papa Montero mural was a known landmark, easy to find once it had been tracked. Right now, Spider-Man was crouched on the roof of the tenement building across from the mural, looking down at the tableau. His drone was already out and running a perimeter sweep, trying to identify how many of the gang were here and if any special faces popped up.

Quiet has posed:
Quiet wasn't the sort to do the patrolling hero thing, she was a mercenary after all. Still, SHIELD was aware of the gun dealing and had decided that they wanted someone to investigate and intervene as necessary.

At least she was working alone, that made thing a little easier.

Hair tied back, the pale woman lazily shouldered the sling of her rifle as she moved in, leaping high towards the a rooftop in a single bound like it were effortless.

Frederick Foswell has posed:
As the drone flew around the area it would eventually spot a big ran van driving towards the building with the mural. The van suddenly stops right at the building with a heavy screech of the brakes. Suddenly, the back door flies open and a group of Hispanic and Caucasian men wearing matching Hawaiian shirts and blue jeans start climbing out of the van and unloadin boxes. Yep, there were Los Monteros all right, and it would appear that they have a lot of merchandise to sell tonight. Suddenly, a second car pulls up and a group of neatly dresses men come out and begin to walk towards the gathered Monteros

Peter Parker has posed:
Spidey doesn't yet see the girl jumping around like an anime ninja, but the truck and the car have his undivided attention. He takes a chance and swings from the warehouse to the building with the mural on it, hoping the ambient lights obscure him. Maybe he should get a black variant of the suit for this sort of thing.

He had to see money change hands. THAT was something that will hold up in court. That is when he can send the call to the NYPD and jump into the crowd as Uninvited Guest One.

Just had to wait just a little more...

Quiet has posed:
There wasn't technically any restrictions on how Quiet could operate. If she deemed it necessary she could drop bodies...but that was likely messier than she needed to be.

Odds are, a woman with a gun over her shoulder and dressed as she was would probably draw the eye...or she would have, if the air around her didn't waver and light bend to obscure the silent woman from sight.

She could wait just a little longer, till her enhanced senses had picked up on each of the targets.

Frederick Foswell has posed:
The suited men walk up and begin to talk with the Monteros present in the area. As they chat you see one of them pull out a laptop and open it, then go back to rummage for something else. As this was happening one of the suited men reached into the black sedan and pulled out a black suitcase, no doubt containing the money for the deal. Suddenly, one of the boxes is opened, revealing a crate of assault weaponry. The suited man examines one, grins, and hands the briefcase over to the Montero.

Peter Parker has posed:
Okay. There we go. Time to close the store.

As a pre-programmed call is sent via Spider-Comm to the NYPD's 911 dispatch center, with instructions to describe the scene, approximate number of combatants, the type of crime (illegal arms deal) and the presence of a superhero on the scene (Code 6-0-6), Spider-Man fires a webline at the crate, yanking it and its contents up to get webbed to the wall.

"Hello, everyone!" he called down. "Smile! You're on CANDID CAMERA!"